The bucket rider essay writer
- 500 Greatest Songs of All Time
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- one of the best books I've read in the last 6 months is . . .
When you hear a great song, you can think of where you were when you first heard it, the sounds, the smells. It takes the emotions of a moment and holds it for years to come. It transcends time. A great song has all the key elements — melody; emotion; a strong statement that becomes part of the lexicon; and great production. As soon as you start, you get that magic feeling, an extra feeling.
After seven Top 10 hits for Cadence Records, the Everlys became the first artists signed to a new record label: Warner Bros. They cut eight songs as potential debut singles and rejected all of them before settling on "Cathy's Clown. With its enormous kaboom and Pop 's sneering, free-associative lyrics the line about "hypnotizing chickens" is a reference to William S.
Nineteen years after the song first appeared, it was used in the movie Trainspotting , paving the way for cleaned-up versions to be used in TV ads for cars and cruise lines. And the line "Of course I've had it in the ear before"?
Joplin 's only Number One hit was a posthumous one, and a country, not a blues, song. Joplin's version was "just the tip of the iceberg, showing a whole untapped source of Texas, country and blues that she had at her fingertips," recalled pianist Richard Bell. It was a standout from Pearl , her last solo album, released less than a year after she died of a heroin overdose.
500 Greatest Songs of All Time
A self-described "quirky little dance band," the B 's invented New Wave weirdness with this slice of bouffant pop topped with Farfisa organ, Yoko Ono-ish vocals and Schneider's creepy speak-singing about a bizarro seaside scene. Stone, a former DJ in San Francisco who also produced the hits "Laugh, Laugh" and "Just a Little" for the white pop group the Beau Brummels, seemed blind to the lines between musical genres.
Hits were nice, but family came first. The greatest God-does-the-road-ever-suck song, "I Wanna Be Sedated" was written by Joey Ramone, who at the time was suffering from severe teakettle burns and was upset about having to fly to London for a gig. Plagued by obsessive-compulsive disorder and various other ailments, Joey always had a rough time touring. Johnny's guitar solo — the same note, 65 times in a row — is the ultimate expression of his anti-artifice philosophy; the bubblegum-pop key change that follows it, though, is pure Joey.
It was almost rock. It was almost gospel.
But the seeds came from Prince's tour; Bob Seger was touring at the same time, and Prince decided to try writing a song in the same anthemic vein. It had been in the Flames' act for two years before they put down a demo, which caught the ear of talent scout Bass.
Although Don Everly had a contract to work as a songwriter before he and his brother Phil began their hitmaking, their first three big singles were all written by the husband-and-wife songwriting team of Boudleaux and Felice Bryant. While vacationing in southern Morocco, Plant conjured the lyrics for Led Zeppelin 's most ambitious experiment, the centerpiece of 's Physical Graffiti. As he traveled the desert in northwest Africa, Plant envisioned himself driving straight through to Kashmir, on the India-China border.
Meanwhile, back in the band's studio in rural England, Page and Bonham began riffing on an Arabic-sounding set of chords that would perfectly match Plant's desert vision. I was virtually in tears. When There's a Riot Goin' On came out in , a Rolling Stone reporter mentioned the rumor that Stone had played all the instruments himself, and he asked Sly just how much he played.
Replies to: one of the best books I've read in the last 6 months is . . .
Song's not about that. Song's about a family affair, whether it's a result of genetic processes or a situation in the environment. Taupin has often claimed that a song should never take more than a half-hour to write.
His first classic took all of 10 minutes. In , Taupin and John were sharing a bunk bed at Elton's mom's house when Taupin wrote the words to "Your Song" one morning at the breakfast table.
The soaring piano ballad would become the breakthrough single that introduced John to America. Although John insisted that the song was inspired by an old girlfriend of Taupin's, the lyricist maintains that it was aimed at no one in particular.
One of Harrison 's greatest songs was conceived during a visit to his parents' home. Having studied the Chinese fortune-telling book the I Ching , Harrison decided he should surrender to chance. Dissatisfied with the Beatles ' recording of the song, he invited Eric Clapton to play the guitar solo. Pickett 's first two singles for Atlantic were recorded in New York, and they flopped.
Townshend wrote this for an aborted concept album and film called Lifehouse. But many of that project's songs were resurrected for Who's Next , which started off with a week of demo sessions at Mick Jagger's country house, Stargroves. The synthesizer on "Won't Get Fooled Again" is from those demos. Diddley 's first band performed with a washtub-bass player and a guy who danced on a sand-covered board: These experiments with rhythmic possibilities kept him from lugging a drum set around town.
The Joshua Tree was U2 's ode to America: Its songs were inspired by folk, gospel and roots music, and its lyrics, as the Edge noted, were sparked by civil rights heroes and the "new journalism" of the s. Yet "With or Without You" — with its simple bass groove and ethereal guitar hum framing Bono 's yearning vocals — was one of U2's most universal songs to date, a meditation on the painful ambivalence of a love affair.
Bono insisted it was "about how I feel in U2 at times: exposed. Stewart plays a schoolboy in love with an older temptress in "Maggie May" — he claimed it was "more or less a true story about the first woman I had sex with. But the song's rustic mandolin and acoustic guitars — and Mickey Waller's relentless drum-bashing — were undeniable. The song became Stewart's first U.
Top 40 hit — and first Number One. The first two singles from Steppenwolf 's debut stiffed; the third was "Born to Be Wild. But "Born to Be Wild" stayed. This was a manifesto. Berry's original made the Billboard Top 10, and the Beatles and the Beach Boys cut popular versions as well.
one of the best books I've read in the last 6 months is . . .
Appears on: Johnny B. The keynote from David Bowie 's album Hunky Dory , "Changes" challenged rock audiences to "turn and face the strange. As it turned out, he had barely begun to show the world his wardrobe of disguises. The poignant sax solo at the end is played by Bowie himself. On the piano in Greenberg's office, King finished a song the team had been working on.
Lead singer Shirley Owens initially found "Tomorrow" too countryish for the group, but Dixon's production changed her mind. King's devotion to the song was so strong she replaced a subpar percussionist and played kettledrum herself. With its forthright depiction of a sexual relationship, it became the first girl-group record to go Number One.
Keith Richards was on a historic run in , exploring the open-D blues-guitar tuning for the first time and coming up with some of his most dynamic riffs. He overheard an organ lick that bassist Bill Wyman was fooling around with in a London studio and turned it into the unstoppable, churning pulse of "Jumpin' Jack Flash.
The song evolved into supernatural Delta blues by way of Swinging London. The Stones first performed it at their final show with Brian Jones. Appears on: Forty Licks Virgin. James Brown had been tinkering with the building blocks to this song for years — his singer Tammy Montgomery who would become Tammi Terrell had recorded the sound-alike "I Cried" in Amid swooping strings, Brown's abject singing makes the biblically chauvinistic lyrics "Man made the boat for the water, like Noah made the ark" sound genuinely humane.
They found it with the old U. The Animals, from the English coal town of Newcastle, changed the gender in the lyrics, and keyboardist Price created the new arrangement and grabbed a composer's credit. Ben E. King wrote "Stand By Me" when he was still the lead singer of the Drifters — but the group didn't want it.
As King recalled, the Drifters' manager told him, "Not a bad song, but we don't need it. It also introduced the world to an year-old Indiana kid named Michael Jackson. Quintessential Fleetwood Mac : "I very much resented him telling the world that 'packing up, shacking up' with different men was all I wanted to do," said Stevie Nicks of this Buckingham kiss-off.
Appears on: Rumours Warner Bros. The five-minute-long workout "Shout" was a modest hit upon its original release in , but it's perhaps better remembered for its appearance in the movie Animal House , where the fictional Otis Day and the Knights with a young Robert Cray on bass played an almost note-for-note copy of the Isley Brothers' original. As O'Kelly Isley, who helped found the group in the mid-Fifties, noted, the world was just coming around to the Isley Brothers' original sound.
Those horns weren't a hook; they were a herald: Pop's new queen had arrived. Her future husband, Jay-Z , stepped up, too — it took him just 10 minutes to create he writes nothing down and record his typically braggadocious cameo. Appears on: Dangerously in Love Columbia. Returning to the recording studio in May with pure-rock lyrics such as "I met a gin-soaked barroom queen in Memphis," the Rolling Stones recorded the song in five hours.
The plan was to remake gospel star Cooke as a secular singer. But Specialty Records owner Art Rupe objected so strongly to Blackwell's use of white female backing vocalists for a session — Rupe thought that Cooke was watering his sound down too much — that he released Cooke from his contract.
It was sung by Rudy Lewis, the third in the Drifters' cavalcade of great lead voices; in , King reclaimed the song as a recording artist with a wistful, downtempo version.
This track — a vision of lonesome Americana over a steady beat — was Williams ' favorite out of all the songs he wrote. But he worried that the lyrics about weeping robins and falling stars were too artsy for his rural audience, which might explain why the track was buried on the B side of "My Bucket's Got a Hole in It.
Redding and soul balladeer "Iceman" Butler were hanging out in Redding's hotel room in Buffalo, New York, after a gig when Butler sang a half-finished song he had been working on. Maybe I'll come up with something. And when Redding performed a scorching drawn-out version at the Monterey Pop Festival in — in front of the audience he called "the love crowd" — the single made the transition from hit to legend.
The cheery "sha-la-la" chorus of "Brown Eyed Girl," originally titled "Brown Skinned Girl," brought Morrison to the top of the pop charts, even though he didn't much like the record and recently said he doesn't even consider it one of his best songs.
I can't lip-sync. A horse-racing metaphor, a car metaphor and, probably, a clitoris metaphor: Prince didn't scrimp on literary possibilities in coming up with what would be his first Top 10 hit. In , Prince had a track studio installed in his basement; by 6 p.
Fittingly, Prince wrote the lyrics in the back seat of a car, but not a red Corvette: It was a bright-pink Ford Edsel belonging to Revolution keyboardist Lisa Coleman. Appears on: Warner Bros. Allison, Holly's best friend, also claims to have written most of the lyrics, though his name never appeared in the songwriting credits.